With the Bell labs, max Mathews, on his side, composed in 1957 a very first mathematical configured synthesis of the noise for the computer system IBM 704, geared up with 4096 words of memory. The program Music III (1960) presented the principle of instrument modular. The design envisioned by max Mathews is motivated by more than one device of lab or an electronic studio of music that by an acoustic stringed-instrument trade.
With the origin of musical information processing bare metal data center, one discovers 2 types of activities, independent one of the other. These 2 types of activities are the musical structure and production of the noise. The very first severe tests of the musical structure per computer system go back to 1956: it is on this date that Lejaren Hiller determined a partition utilizing guidelines encodes in the kind of algorithms on the computer system Illiac I of the University of Illinois.
Another application of the computer appears with the piloting of analogical instruments. The first example of this system which one names "hybrid synthesis" was established in 1970 in Elektron Musik Studio of Stockholm, foundation independent since 1969, financed by the Royal Academy of Music, and placed under the direction of Knut Wiggen. A computer PDP 15/40 controlled twenty-four generators of frequency there, a generator of white vibration, two-third filters of the octave, modulators: out of the ring, of amplitude and reverberations.
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