One year later on, max Mathews, a scientist at the labs of the Bell Telephone, in New Jersey, was the very first mathematical developer of synthesis of the noise for the computer system IBM 704 composes. Let us keep in mind that throughout the development of the work of Hiller by the string quartet WQXR, it is maxed Mathews which arranged a recording, which provided location, afterward, with the publication of this recording in a disc brought out in 1960 by the Bell Laboratories, and entitled Music from Mathematics: even if the methods traced by these 2 creators are independent, it is not understood as that they did not cross
The commercial field is today at first comprised by the market of the synthesizers and the processors of the noise, and by the software application that makes it possible to exploit them. Today, all the synthesizers are mathematical, and always satisfy the Midi requirement. The field of the synthesizers is double: on the one hand, devices, frequently offered with a keyboard, which propose an option of preprogrammed noises which one can differ specific criteria by a primary procedure of shows; in addition, the makers which are planned to recreate noises in advance taped and remembered, or kept on mass memory: samplers, or "samplers".It must be kept in mind that all these innovations end up being available to the personal artist, within the structure of what is called typically the "individual studio" (house studio).
To develop a workstation consists in collecting programs of numerous nature, planned for the analysis or the synthesis of the noise, the control of the noise or the structure. These programs are incorporated within IPU data-processing an "environment" arranged around a computer system and of its peripherals, meant for the treatment of the noise online.
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